Twelve Minutes CD KEYS günstig kaufen ab €2.76 🎮

A test of nerves – the clock is ticking and 12 minutes is a very narrow window to take appropriate actions. It’s kinda hard to rate this game with full conviction, because a lot depends on the player – the more patient and perceptive you are, the better it gets. However, the fact is that it’s one of the most unique adventure games in recent years and that alone makes it worth your time.

Twelve Minutes was one of the most interactive and enjoyable games I’ve played in a long while. Even though playing through the same loop again, and again, and again won’t be for everyone, I found the process of changing up my actions each time and moving forward, little by little, to be oddly satisfying, and the sense of accomplishment whenever I made a considerable leap forward was unmatched.

Twelve Minutes is a production that stands out for its originality and what it wants to do, but the dialogue should have been more diverse.

I could talk for ages about Twelve Minutes as I loved everything about it, but there’s not much that can be said without spoilers. The voice acting is fantastic and the gameplay is very enjoyable. It’s a fantastic title and the fact it comes straight to Game Pass is brilliant. I can’t recommend this enough.

Minor irritations aside, I can't fault Twelve Minutes for its ambition. Luis Antonio has set out to tell the kind of story that can only truly be told in a video game, offering up a tense and often deeply unsettling interactive thriller that succeeds in breathing new life into the point-and-click adventure genre. I can say with certainty that the story and its potential outcomes won't be for everyone, but you'll be left chewing over what happened hours after the credits roll.

Twelve Minutes show us why video games are a powerful medium to tell stories that cinema cannot. With great voice acting, outstanding creative decisions and original mechanics, Twelve Minutes is everything mystery games enthusiasts could ask for.

Twelve Minutes is an original idea, pretty decent writing and fantastic acting wrapped in old fashioned, oftentimes repetitive gameplay. It won’t wear out your Gamepass though, so give it at least twelve minutes of your time if you’re a member of the Microsoft gameclub.

Twelve Minutes plays like an escape room on extra hard difficulty and with higher stakes. As an intriguing albeit small-scale thriller with many twists and turns that can sometimes be frustrating, ending the time loop is ultimately somewhat worth the effort.

I doubt that Twelve Minutes will go down as a crowd pleaser. If the revelation fails to move you then all that came before it was for naught. But if it catches you unexpectedly, as it did me, then Twelve Minutes may linger in your mind as an unusually effective high concept piece.

Some little bugs here and there, but the overall experience is amazing. Game isn't repetitive at all but sometimes you may need to guess toSome little bugs here and there, but the overall experience is amazing. Game isn't repetitive at all but sometimes you may need to guess to procede further in the story

I waited a solid year for this title and feel bad for those who had to wait longer. This by far was an utter disappointment and a waste ofI waited a solid year for this title and feel bad for those who had to wait longer. This by far was an utter disappointment and a waste of time in the end. It’s fun for the first hour or so until you sit there moving around the same small apartment, going through the same dialogue, and getting the same results. Over and over and over again for hours until you do some small thing differently then you get some info then it’s the same dialogue, same janky animation, same scenes repeating. The game is repetitive, mind-numbing, and boring. The plot starts interesting and leaves you with some tools on the table and lets you figure things out. That's fun till it all crumbles and becomes meaningless. The whole final quarter of the game is utterly pointless and adds nothing to the story except making it harder for the player. Overall if you want to play it, don’t expect much, and prepare to stare.

The game is not perfect, some dialogues and their consequences are not consistent, but the result is an excellent game. If you like games thatThe game is not perfect, some dialogues and their consequences are not consistent, but the result is an excellent game. If you like games that don't consist in mashing buttons, if you like riddles and point and click games, you must play this. Scenario is also great, even if I feel like they were a bit inspired by a 2003 movie that I cannot name because if I do, I would spoil a bit...This could have been a big 3 hours long movie, or a mini TV series. Netflix, if you read me...

Twelve Minutes is slow-burning, despite being about such a short time loop, but it will seep into your mind and refuse to leave. I actually dreamed in a time loop last night, which has literally never happened to me before. The concept is solid enough to stand on its own among dozens of other popular time loop media (television, film, games... it is everywhere). The intrigue and deeply flawed characters are enough to keep one invested for hours, and even worth putting up with irritating console controls.

12 minutes starts off with an interesting top-down view of an apartment foyer. The tutorial and game mechanics are offered by navigating down12 minutes starts off with an interesting top-down view of an apartment foyer. The tutorial and game mechanics are offered by navigating down the hallway to your apartment door and opening it. The controls and gameplay are a very straight forward click and drag system which is very intuitive.The graphics are quite nice for the style and suits the story and gameplay. It is nothing special though and no use of ray tracing or any particularly breathtaking visuals. The voice cast were great and this is no surprise considering the three main actors were James McAvoy, Daisy Ridley and Willem DaFoe. No expense spared in the casting department which helps with the immersion.The game revolves around your tiny apartment with your wife and is played out in real time with a maximum of 12 minutes through any given time loop. Each time someone dies or the current story is played out the story is rewound back to the start of the 12 minutes and the loop starts again.Whilst it does sound extremely monotonous, each play through gives you more information and answers in order to use that newly acquired information to go forward the loop after and it continues until you are able to solve the mystery and get one or several of the many endings. I thought the story was excellent and was not disappointed.I can see how some people may be turned off by the repetitiveness of running through the same scene and dialogue over and over again, but for me this was the interesting part. It wasn't until I was attempting achievements that it started to feel a bit grindy.I had an absolute blast searching for new ways to gather more information and get closer to the end and thought it was a very clever way for a point and click puzzle/adventure game if you would even call it that. This was one of my favourite games in a long time and I can't wait for Annapurna Interactive to try something similar in a new release. I would definitely be playing on launch that's for sure!

Awful. The hype was completely unwarranted. The game's 12 minutes mechanic is frustrating in how many loops you require to get things done and how little time you have to explore as everything is timed. Then when you do know what to look for you are stuck waiting in real time for *nothing* to happen. And the exact nature of things you need to know is not always obvious or easy to uncover.Beyond the gameplay the story is completely vapid. Having an incest baby with your half-sister? That's the big twist? Really? Are all these narrative games just going for the quick and easy shock factor now?And then the game doesn't have the balls to commit to you staying with her or leaving her once you figure out the truth (you are given the option for both but those don't lead to a real ending). Instead the game asks you to merely relive your life up to that point over and over so you don't need to commit to a decision because of course that would cause a controversy. Something tells me this game only got developed on the promise of the gameplay and no one was looking to see how the narrative was panning out.Waste of time, don't bother. No idea why this game got the hype it did from Microsoft. You can't tell me anyone in an office knew what this game was about beyond the surface concept of reliving 12 minutes before your own murder. "Yeah, the sister incest baby game! That's the one we should hype this E3!"

Crei que el juego seria tan interesante como su trailer pero fue una tremenda decepcion, se siente como un pre alpha y tanto narrativa comoCrei que el juego seria tan interesante como su trailer pero fue una tremenda decepcion, se siente como un pre alpha y tanto narrativa como jugabilidad son bastantes nefastas, imposible recomendar un producto mediocre que esta hecho a medias

Excelente, me divertí, me concentre tanto que no medí el tiempo invertido, tan diferente a lo que normalmente un juega. Muy recomendado

Ambitious idea perhaps struggling to live up to its own aspirations. Certainly doesn’t warrant those 0-2 user scores but at the same time,Ambitious idea perhaps struggling to live up to its own aspirations. Certainly doesn’t warrant those 0-2 user scores but at the same time, not the game we were hoping it was going to be

I don't know why there are so many haters here... It is absolutely not bad game at all. I having so much fun with it, I don't even count theI don't know why there are so many haters here... It is absolutely not bad game at all. I having so much fun with it, I don't even count the time. 8 hours gone in a few seconds. One of the best gaming experience for sure!

Some devilishly clever puzzles shine in a unique take on the point-and click genre, but the game waits to the end to make its story truly interesting, which might be a little late if you're looking for an emotional investment to get you through some of the more tedious moments.

All in all, then, Twelve Minutes is definitely worth a download with Xbox Game Pass if you're even the least bit interested in the premise, as both its story and gameplay combine to create a memorable thriller. There are a couple of downsides if you look for them, and the replayability factor will be pretty low after you've discovered everything, but we think you'll really enjoy your main playthrough regardless, even if you're not the biggest fan of point-and-click games.

Warren Spector, director of Deus Ex, has said that he would like to make a game focused entirely on one city block because the small space would allow for unmatched mechanical depth. 12 Minutes reduces Spector's scope further, and finds a rich vein for interaction and storytelling. This game may limit its loop to 12 minutes, but I found myself wishing I could stay for much, much longer.

Twelve minutes transforms the cinematic god's eye into the interactive man's eye. Luis Antonio, the author, has achieved a concentrated dose of tension and urgency by atomizing time and space. The game reliably prevents excessive repetition leading to boredom, the great stumbling block of time-loop mechanics.

When Twelve Minutes hits, it hits hard. But I feel there’s, at times, such a disconnect between what it wants to do and say that it’s hard to reconcile its moving parts into anything I’d consider truly great. Performances waver as often as they wow, and that’s a result of a very ambitious game. Narratively speaking, it’s got the hallmarks of a Nolan film, and just like any good Nolan film, you’re going to boil the kettle and postulate into the midnight hours.

A clever and idiosyncratic time loop detective thriller with top notch voice acting, which suffers from circular gameplay that quickly descends into monotony.

For the majority of its runtime Twelve Minutes is a delight, with its engaging premise and unique gameplay making the player lose track of those never-ending loops, but it does peter out towards the end.

Warren Spector, director of Deus Ex, has said that he would like to make a game focused entirely on one city block because the small space would allow for unmatched mechanical depth. 12 Minutes reduces Spector's scope further, and finds a rich vein for interaction and storytelling. This game may limit its loop to 12 minutes, but I found myself wishing I could stay for much, much longer.